In my previous posts
in this series, I took time to translate many of
the powerful creative thoughts of Clyde Dsouza into the context of classroom
learning. In this sequel, I will draw upon Dsouza’s expertise to answer the
countervailing question: “Why is some eS3D content so darn
lackluster?”
3D falls short in
classrooms when:
Clyde Dsouza, author of Think in 3D |
It’s too flat. In his book, Think in 3D, Dsouza proposes that [when viewing 3D] “the screen
really is a stage for all purposes. It is no longer a flat wall.” Dsouza
accurately understands that, whenever 3D educational content is so close in
appearance to flat movies, it loses its appeal. Think about it.
Why would schools pay for the extra costs of 3D if they are only a little bit
better than a 2D classroom video? It’s so obvious! He concludes, “A subtle look
3D film may as well be 2D.” So, too, in classroom 3D. In education, depth
‘rules’ and flat ‘drools’. (Please excuse my use of middle school vernacular).
It’s too subtle. Dsouza
believes that is a mistake to assume that "subtle 3D is good 3D." He
warns that “subtle 3D at all times creates safe – [and] boring 3D. I
agree. Anyone who knows educations is well aware that ‘boring’ ushers in
an“irreversible kiss of death.”
It moves too fast. According to Dsouza, “the familiar montage like style , made up
of rapid cuts, frequently changing camera angles, or fast camera motion that is
normally used to convey anticipation, excitement, or other emotions into 2D
movies” just doesn’t work in 3D film. I can say the same for the classroom. The classroom is different than the movie theater or
entertainment ride.
3D content still has a long way to go. Some companies—like zSpace, CubeDigiCo, and
Sensavis—are leading the way. Hardware and software companies alike would be
wise to pick up Dsouza's book, connect with his ideas, and start to really
think in 3D.
Asian and Chinese 3D audiences enjoy StereoVision differently, the www.filmmagic.com.hk and www.digitalmagic.com.hk that based in Hong Kong have finished services to 21 3D stereo movie, 16 or them 90% native, 2 Hybrid, and 3 by 2D Dimensionng. I am Percy, percy@filmmagic.com.hk, I also now just started to run the I3D&AIS South east Asia chapter, percy@i3dsasia.org, we look foward to better region training in both production and appreciation of the 3D stereo technology.
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